Philip Blairman: some early memories, in his own words
Since 2013, Mark Westgarth, based at the University of Leeds, has been investigating ‘Antique Dealers: the British Antiques Trade in the 20th Century’. This project grew out of his earlier work that culminated in A Biographical Dictionary of Nineteenth Century…
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A Thomas Hope chandelier identified
Lost works of art are sometimes hidden in plain sight. Such is the case with a magnificent chandelier that undoubtedly once hung at Thomas Hope’s Duchess Street mansion in London, and later at his country house the Deepedene, Dorking, Surrey….
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The Autumn Season begins: PAD, and an American trip
The atmosphere at PAD, the Pavilion of Art and Design held each October in Berkeley Square, was scintillating. The show was packed for the duration and, quite simply, worked. Visitors from across the globe loved the ambience created by our Parisian organisers, while the equally international exhibitors benefited from the response to their carefully created stands. During a mild autumn week, with Frieze Masters up in Regent’s Park, London’s art market felt in rude health.
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PAD 2015: first preview this afternoon
As ever, the set up for PAD was a delight. This may be accounted for by our pleasure in this event; by the friendly atmosphere created by the organisers and exhibitors alike; by the range of fascinating materials brought by…
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Ivory: responding to the Fish & Wildlife Service
Since the publication on 29 July in Washington of the Fish & Wildlife Service’s ‘Rule’ setting out proposed amendments to the Endangered Species Act, auction houses, collectors, dealers, and museums in the States have been considering and progressing their responses. The clock is ticking down on the 60-day window allowed for written arguments.
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Ivory: Fish & Wildlife Service publish ‘Rule’ to amend implementation of Director’s Order 210
Make no mistake: the U.S. Fish & Wildlife Service (FWS) is faced with a tough task. It must, among many other responsibilities, implement universally supported government policy on the conservation of endangered species. With regard to Director’s Order 210, first issued in February last year, its role is to contribute to the elimination of the illicit trade in poached ivory. It has been evident for the past eighteen months that this quest has been sweeping up in its wake the trade in world-class works of art made from or incorporating ivory.
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Ivory: ‘African Elephant Conservation and Legal Ivory Possession Act of 2015’
On 15 July, Senators Steve Daines [R-MT] and Lamar Alexander [R-TN] introduced into Congress a wide-ranging Bill aimed at halting the over-regulation of ‘legal ivory’. If adopted the Bill would specifically end what is, in effect, the U.S. Fish and Wildlife Service’s unilateral ban on the import of lawfully possessed ivory. Impediments to internal trade and legitimate ownership would also be overturned. Equally, the Bill would lead to significant efforts being funded to assist anti-poaching efforts in countries with at risk elephant populations.
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Sybella Bullock (1805-1850): her prize medal of 1825 re-discovered
Sybella Bullock was a daughter of the entrepreneur and showman William Bullock (1773-1849), and the niece of the sculptor, designer and cabinet maker George Bullock (1782/83-1818). Such little information as is known of Sybella Bullock’s life can be gleaned…
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News from London
As July begins, it finally feels like summer. The art market is entering its end-of-season phase, but here in London, at least, things will remain active for several more weeks. In what a modernist architect perceptively described to me as…
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Masterpiece 2015: the lure of luxury in London
Masterpiece looks set, once again, to achieve its ambition of presenting a luscious array of luxurious objects to lighten the chill of a London summer. The weekend saw a building site being transformed into a glamorous shop window for works…
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Furniture and Works of Art, 2015: now online
In the middle of last week we received a pallet-load of cartons containing the latest edition of our annual publication Furniture and Works of Art; it is ‘sage green’ this year, for those who always refer to these by the…
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Summer in London: our new catalogue, and Masterpiece
As June approaches, the traditional art market in London will once again be centre stage. We are about to send out the 2015 edition of our annual catalogue Furniture and Works of Art. This year we include a cup and…
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Instagram: eye-catching thoughts on the move
In circumstances that are beyond ridiculous, I recently lost my BlackBerry somewhere between New York and Chicago. So, following years of lobbying by Clive Wilson (responsible for this website) I have been persuaded to move on to an iPhone. I…
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Ivory: no closer to an outbreak of common sense in the US?
Mirror Back, French (possibly Paris), 1350-75. Metropolitan Museum of Art There are still no signs of a pragmatic dialogue on the impact of Director’s Order 210 (February 2014) breaking out in the public arena. The fact that there are ‘sides’…
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A weekend in Maastricht: preparing for TEFAF 2015
We left London in a somewhat relaxed mood, after breakfast at the incomparable Little Bread Pedlar, but then our Eurotunnel crossing was delayed. Some two hours later than scheduled, however, we arrived in the MECC to find that the indefatigable…
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TEFAF, 2015: we are on our way
Creating stands for art fairs never loses its appeal. Each March, by the time ‘Maastricht’ comes around, we will have spent the previous twelve months or more gathering together a group of fresh objects that we can present in a…
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