Kelso Abbey
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Artist
Attributed to A.W.N. Pugin (1812-52)
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Detail
Oil on panel
54 x 65 cm (inc. frame)
English, probably circa 1830-32
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Labelled
‘Melrose Abbey by Augustus Welby Northmore Pugin. Born in London 1st March 1812. Exhibited at the Royal Academy 1849-1852. He devoted all his energies to the promotion of the Gothic style of Architecture. He also took charge of the decorative furnishing of the Houses of Parliament. Died at Ramsgate – 14th Sept. 1852.’ (Typed paper label on back of frame)
A second typed label describes the subject as Melrose Abbey
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Provenance
[…]; Phillips (London), British and Victorian Paintings, 8 October 1991, lot 10, bt Wainwright; collection of Clive and Jane Wainwright
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Exhibited
Pugin: A Gothic Passion, Victoria and Albert Museum, 15 June-11 September 1994
Clive and Jane Wainwright Collection, H. Blairman & Sons, 21 June – 14 July 2023, no. 22
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Literature
Clive Wainwright, ‘The Antiquary and Collector’, in Paul Atterbury and Clive Wainwright, eds, Pugin: A Gothic Passion, New Haven and London, 1994, p. 93 and fig. 166
Rosemary Hill, ‘Pugin and Scotland’, in Rebecca M. Bailey, ed., Caledonia Gothica: Pugin and the Gothic Revival in Scotland, Architectural Heritage VIII (1997), pp. 13-14
Clive and Jane Wainwright Collection, London: H. Blairman & Sons, 2023, no. 22
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Collection
Private collection
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Notes
The attribution to Pugin rests primarily on the plausible label attached to the back of the frame.
The identification of the subject as Kelso Abbey is confirmed in a letter from Richard Fawcett of Historic Scotland to Ian Gow, 23 March 1993.